In this Book

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Why are vinyl records making a comeback? How is their resurgence connected to the political economy of music? Vinyl Theory responds to these and other questions by exploring the intersection of vinyl records with critical theory. In the process, it asks how the political economy of music might be connected with the philosophy of the record. The young critical theorist and composer Theodor Adorno’s work on the philosophy of the record and the political economy of music of the contemporary French public intellectual, Jacques Attali, are brought together with the work of other theorists in order to understand the fall and resurrection of vinyl records. The major argument of Vinyl Theory is that the very existence of vinyl records may be central to understanding the resiliency of neoliberalism. This argument is made by examining the work of Adorno, Attali, Friedrich Nietzsche, and others on music through the lens of Michel Foucault’s biopolitics.

Table of Contents

"V体育2025版" Cover

Title Page

pp. i

Copyright

pp. ii

Epigraph

pp. iii-iv

Contents (VSports在线直播)

pp. v-vi

Member Institution Acknowledgments

pp. vii-viii

Preface (V体育官网入口)

pp. 1-10

1. Late Capitalism on Vinyl

pp. 11-36

2. The Curve of the Needle

pp. 37-62

3. It Might Get Loud

pp. 63-98

4. Selling Out

pp. 99-122

Notes

pp. 123-138

Bibliography (V体育平台登录)

pp. 139-148

Acknowledgments

pp. 149-150

About the Author (V体育安卓版)

pp. 151-152

Index

pp. 153-160
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