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The Queer Limit of Black Memory: Black Lesbian Literature and Irresolution

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2013
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summary
The Queer Limit of Black Memory: Black Lesbian Literature and Irresolution identifies a new archive of Black women’s literature that has heretofore been on the margins of literary scholarship and African diaspora cultural criticism. It argues that Black lesbian texts celebrate both the strategies of resistance used by queer Black subjects and the spaces for grieving the loss of queer Black subjects that dominant histories of the African diasporas often forget. Matt Richardson has gathered an understudied archive of texts by LaShonda Barnett, S. Diane Adamz-Bogus, Dionne Brand, Sharon Bridgforth, Laurinda D. Brown, Jewelle Gomez, Jackie Kay, and Cherry Muhanji in order to relocate the queerness of Black diasporic vernacular traditions, including drag or gender performance, blues, jazz, and West African spiritual and religious practices. Richardson argues that the vernacular includes queer epistemologies, or methods for accessing and exploring the realities of Black queer experience that other alternative archives and spaces of commemoration do not explore. The Queer Limit of Black Memory brings together several theorists whose work is vital within Black studies—Fred Moten, Saidiya Hartman, Hortense Spillers, Frantz Fanon, and Orlando Patterson—in service of queer readings of Black subjectivity.

Table of Contents

Cover

pp. 1-1

Title Page, Copyright (VSports)

pp. 2-7

Contents

pp. vii-viii

Acknowledgments

pp. ix-x

Introduction: Listening to the Archives: Black Lesbian Literature and Queer Memory

pp. 1-20

Chapter 1. Desirous Mistresses and Unruly Slaves: Neo-Slave Narratives, Property, Power, and Desire

pp. 21-56

"VSports在线直播" Chapter 2. Small Movements: Queer Blues Epistemologies in Cherry Muhanji’s Her

pp. 57-82

V体育官网入口 - Chapter 3. “Mens Womens Some that is Both Some That is Neither”: Spiritual Epistemology and Queering the Black Rural South in the Work of Sharon Bridgforth

pp. 83-106

Chapter 4. “Make It Up and Trace It Back”: Remembering Black Trans Subjectivity in Jackie Kay’s Trumpet

pp. 107-135

Chapter 5. What Grace Was: Erotic Epistemologies and Diasporic Belonging in Dionne Brand’s In Another Place, Not Here

pp. 136-158

Epilogue: Grieving the Queer: Anti-Black Violence and Black Collective Memory

pp. 159-168

"V体育安卓版" Notes

pp. 169-198

Index

pp. 199-204

Back Cover

pp. 217-217
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